Friday, 24 February 2012

Review Of Rear Window


Figure One - Poster

Rear Window is a 1954 American suspense film directed by Alfred Hitchcock, written by John Michael Hayes and based on Cornell Woolrich's 1942 short story "It Had to Be Murder"
  • ·         Release: 1954
  • ·         Directed by: Alfred Hitchcock
  • ·         Produced by: Alfred Hitchcock
  • ·         Screenplay by: John Michael Hayes
  • ·         Story by: Cornell Woolrich

Telling the story through a camera movement is what Rear window does best, first off with the opening scene, letting the viewers see what the film is going to be about early on by showing the rear window of the protagonist Jeff looking onto the neighbours. 

Then the camera moves slowly around a broken camera and images of dangerous perspective images, from this, the audience find out how Jeff broke his leg. 

“The viewer is made to take the POV of a character who likes to watch things he's not supposed to see. While suspenseful, the plotline is necessarily low on action (unlike other Hitchcock masterworks like North By Northwest and The Birds), but a pet dog is killed offscreen. You might tell kids this was the direct inspiration for the 2007 teen-bait thriller Disturbia.”  (Cassady 2010)

Figure Two - Mr.Thorwald

The Suspense is built up through number shots, mainly Mr. Thorwald, leaving his home late at night carrying a large case each time, cleaning a knife, tying up a large case with rope, this helps build up the suspense but also let the audience know Jeff simply seeing things, like his friend suggest he is.

“Rear Window lovingly invests in suspense all through the film, banking it in our memory, so that when the final payoff arrives, the whole film has been the thriller equivalent of foreplay.” (Ebert 2000)

By making the audience perspective as Jeff’s perspective when he’s watching his neighbour it makes the audience feel helpless along with Jeff, especially when Lisa is confronted by Mr. Thorwald and Jeff is powerless to do any think to save her, After the build up of her being caught, the suspense is returned by Lisa pointing to her finger with the ring on and Mr. Thorwald seeing her and then looks at Jeff’s direction. 

Figure Three - The Ring

Although it's an intensely intimate film, there's something special about taking your seat in the theatre as though you're pulling up right next to L.B. Jefferies (James Stewart). (Wietzman 2000)


Illustrations 
http://en.wikipedia.org/wiki/Rear_Window
http://www.allmoviephoto.com/photo/2005_alfred_hitchcock_collection_005.html
 http://simplybek.tumblr.com/post/4031461750/grace-kelly-in-hitchcocks-rear-window-1954

Bibliography

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